The Art of Installation
See the work that has transformed spaces. Every project shown here is his work.
Coral stone up a fireplace, in a home built by an architect who trained under Frank Lloyd Wright.
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Travertine wrapped around the fireplace, three materials meeting in a single flat plane — no lip, no shadow line where one becomes the next.
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Hall of Fame medallions, set flush in the plaza the crowd walks on game day.
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Number 99, Jason Taylor — set dead flush into the concourse floor.
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Every stadium stair ground down and rebuilt to code, before the season opened.
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15th Street Fisheries, the only restaurant inside the historic Lauderdale Marina. A dining room that couldn’t close, and a floor that had to be replaced — carpet out, porcelain plank in, all of it overnight. The restaurant never closed.
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Twenty feet of curve, two bands of mosaic, the courses holding their line the whole way.
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Ten feet, every corner mitered — the mosaic turns ninety degrees with no trim hiding the joint.
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Patterned tile framed into the wall like a pair of paintings, the pattern centered and squared inside each frame.
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Book-matched stone fireplace wall, floor to ceiling, the pattern mirrored panel to panel.
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A woven-stone border inlaid into a marble floor, turning the corner without breaking the pattern.
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A marble medallion inlaid into the entry floor.
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A $4 million waterfront house. Stone three stories up the chimney, set from scaffolding built custom inside the room.
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The house stayed furnished underneath the whole time.
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Grab bars, a bench, and a level entry — all of it detailed to match the fixtures instead of announcing itself.
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Every butterfly cut and set one at a time, each curve of the wings made from straight tile.
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A mosaic shower with no curb and no threshold — the floor runs straight in.
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The jacuzzi out, a freestanding tub in. Torn apart and rebuilt — new plumbing and electrical, a new vanity, a second sink. And a checkerboard on the diagonal, every tile at the wall a cut.
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The client asked for a bathroom the size of a bedroom, so a 13×15 master bedroom became the new master bath. New plumbing, new electrical, custom limestone inlays — and a shower floor ten feet square, every tile falling to a single drain.
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Took out a guest bedroom — and built a his-and-hers bathroom twice the size, plus a master walk-in, without adding a foot to the house.
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A former Dan Marino residence. The 5×5 shower came out and a thirteen-by-eighteen wet room went in — marble floors and walls, custom inlays, and a hex-mosaic floor pitched from every direction to one linear drain.
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An entire deck in river pebble, pitched to drain, with no seam showing where one sheet meets the next.
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Split-face stone on every wall of a small room, the courses running level through three corners and around the door.
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A diagonal checkerboard running the length of the house, polished to a mirror. Every joint has to be dead flat — one tile high anywhere and the whole floor shows it.
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Bisazza mosaic run along the waterline, following every curve of the pool without a break in the pattern.
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A pool deck in custom-cut sandstone, every edge shaped to the pool.
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Coral stone cladding, every course running level around three sides of the house.
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Stone slabs cantilevered across the water, each one landing dead level with the last.
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A glass-tile corridor with a river-pebble runner down the center.
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A stone koi pond cut to a point, the pump hidden in the base.
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A freestanding tub set into a bed of black river stone.
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A sculpted black feature wall behind the vanity, tile catching the light in facets.
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An outdoor kitchen clad in stacked stone, built around a wood-fired oven.
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Stacked stone carried up the wall and wrapped over the hood.
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A waterjet marble pattern — each cut piece set flush into the next, no joint out of line.
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An accessible bath, grab bars built into the design from the start.
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A pool deck pitched the whole way to one linear drain against the house.
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A wood-slat wall built around a linear fireplace.
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An octagon marble pattern set into an arched exterior niche.
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A TV and a fireplace carried on one patterned wall, floor to ceiling.
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The same wall from the dining room, the pattern reading correctly from both sides.
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Large-format porcelain laid tight around the pool’s curve.
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The deck at dusk, string lights up, the porcelain still reading flat and even.
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